Showing posts with label Christ. Show all posts
Showing posts with label Christ. Show all posts

Friday, April 03, 2015

For Good Friday, from Perelandra

Giorgio Vasari, The Garden of Gethsemane

In Perelandra, the second book of the Space Trilogy by C.S. Lewis, linguistics professor Elwin Ransom has been transported to "Venus," a planet that somewhat resembles the Garden of Eden and that contains not only a humanoid "Eve," but an evil force determined to subvert the planet for its own ends. Until this point in the story, Ransom has hoped that he can simply out-argue or out-logic the evil one, which has taken over the body of another man from Earth (Ransom thinks of it as the Un-man). Now he realizes that more may be required, and he is not sure if he has it in him to give. During a long, silent night, he confronts his fears.

"He sat straight upright again, his heart beating wildly against his side. His thoughts had stumbled on an idea from which they started back as a man starts back when he has touched a hot poker. But this time the idea was really too childish to entertain. This time it must be a deception, risen from his own mind. It stood to reason that a struggle with the Devil meant a spiritual struggle...the notion of a physical combat was only fit for a savage. If only it were as simple as that...but here the voluble self had made a fatal mistake. The habit of imaginative honesty was too deeply engrained in Ransom to let him toy for more than a second with the pretence that he feared bodily strife with the Un-man less than he feared anything else. Vivid pictures crowded upon him...the deadly cold of those hands (he had touched the creature accidentally some hours before)...the long metallic nails...ripping off narrow strips of flesh, pulling out tendons. One would die slowly. Up to the very end that cruel idiocy would smile into one's face. One would give way long before one died--beg for mercy, promise it help, worship, anything....

"The voluble self was almost thrown out of its argumentative stride--became for some seconds as the voice of a mere whimpering child begging to be let off, to be allowed to go home. Then it rallied. It explained precisely where the absurdity of a physical battle with the Un-man lay. It would be quite irrelevant to the spiritual issue. If the Lady were to be kept in obedience only by the forcible removal of the Tempter, what was the use of that? What would it prove? And if the temptation were not a proving or testing, why was it allowed to happen at all? Did Maleldil suggest that our own world might have been saved if the elephant had accidentally trodden on the serpent a moment before Eve was about to yield? Was it as easy and as un-moral as that? The thing was patently absurd!

"The terrible silence went on. It became more and more like a face, a face not without sadness, that looks upon you while you are telling lies, and never interrupts, but gradually you know that it knows, and falter, and contradict yourself, and lapse into silence. The voluble self petered out in the end. Almost the Darkness said to Ransom, 'You know you are only wasting time.'....

"He had exhausted all his efforts. The answer was plain beyond all subterfuge....This he must do: this he could not do....'It is not for nothing that you are named Ransom,' said the Voice."

Monday, January 05, 2015

Faith and art lessons, on the day of Epiphany (Lydia's Grade Eight)

Book studied: Seeing the Mystery, by William S. Taylor. First half of Chapter 2: "The heaven connection."

Objects:
I. To explore some of the ways in which artists of the western world have emphasized the divinity of Jesus by:--
(a) Interesting the student in the general subject by a comparison of The Annunciation and Two Saints by Simone Martini and L. Memmi, and The Holy Night (also called Nativity) by Correggio, both of which used angels to demonstrate the virgin birth
(b) Discussing other means of showing divinity
(c) Linking Christian faith with art

II. To form a new relation with the past and with art.

III. To provide food for the imagination.

Lesson.
Step I.—Read the passage on pages 28 and the beginning of page 29. Look at the Martini/Memmi portrait before reading about it, noting anything unusual about the figure of Mary herself, her posture, what emotions she appears to be expressing.  Also notice the figure of the angel: his general appearance (is he very angel-like?), and his position relative to Mary (surprising?).

Step II.—Look at the Correggio painting, particularly the various legs shown! How do the angels appear in comparison to the humans in the painting?  Read the passage on page 32, describing a different depiction of angels.

Step III.—As another example of means of portraying divinity, read the passage about the use of position and about halos, using paintings by Raphael and Lochner as illustration.

Step IV.--Using any art books or Christmas cards that we have available, look for other examples of angels, the relative position of God/angels/humans, or the use of halos to show Christ's divinity. Which do you think are the most effective technques? Are there any you can think of that we have not covered yet?

Step V.—A short recapitulation of the principal points.

Lesson plan adapted from Class Notes in various Parents' Review articles, on the Ambleside Online website

Linked from the Charlotte Mason Blog Carnival, January 2015 Edition.

Friday, April 14, 2006

Good Friday Thought

After an emergency or a crisis, there is always the time when you come back and look around at the place that you left in such a hurry.

About ten years ago, my grandmother got very sick and was rushed to the hospital. I went to my parents’ house and found a crockpot full of chili sitting on the counter that had been there since suppertime the night before. You don’t always stop to clean things up when you’re in a hurry.

I was wondering who cleaned up after the last supper. Were some of the disciples intending to come back after their after-dinner walk with Jesus? Then everything was interrupted. Was it hours later, even the next day, that anyone came back into that upstairs room where Jesus had washed their feet and talked about the bread and the cup?

What did they see? Was there maybe the bowl and a still-damp towel, sitting on the floor? Maybe there was a cup that someone had knocked over, with the wine spilling out. Maybe some of the bread was left on the plate, leftovers broken in pieces. Maybe there were candles burned down to stubs, or empty oil lamps that they had used to light the room during their last meal with Jesus. Had they expected to come back to a room that felt so empty and yet that held so many things that reminded them of their Lord?

What did they do with the things? Did someone get busy then and wash the dishes? Did they pack everything away as it was, not wanting to have to deal with such things at such a time? Did they call some women in and ask them to wipe everything up?

Or did someone else come in and clear everything away, not knowing anything about what had happened there that night? Did the disciples come back to a room that was empty, cleaned out? Maybe the whole thing seemed like a dream that had never happened.

What do you think?