From the recent archives: All Creation Waits (Book Review)

First posted November 2016. Check out this week's Mason Jar podcast for an interview with Gayle Boss and Megan Hoyt!

"Every single creature is full of God and is a book about God. Every creature is a word of God. If I spend enough time with the tiniest creature, even a caterpillar, I would never have to prepare a sermon. So full of God is every creature." ~~ Meister Eckhart, quoted as a preface to All Creation Waits

In his review of All Creation Waits, writer Brian Doyle refers to it as a "sidelong" book, which I take to mean indirect, something like a parable. In twenty-five short readings, accompanied with woodcut illustrations, Gayle Boss takes you on an early-winter walk around Lake Michigan, with stop-offs to visit skunks, foxes, porcupines, and other local inhabitants. What are they doing at this time of year? As "all creation waits" for the Advent of the Saviour, animal activities are lyrically described, but without much added-on interpretation. This is not a book of prayers or Scriptures; the animals are not analogies; they do not think of much beyond shelter and food, and they have no imagined sense that Christmas is coming. It reminds me more of Prayers from the Ark, or some of the Christmas readings that take the viewpoint of the cow and the spider; or the muskrat scene at the beginning of The Long Winter.

A sample from the chapter "Whitetail Deer":

"Gliding through the woods in groups of two, three, or four, their coats the color of brush and bark render them nearly invisible to us. So when, in October, we see herds of them out in the open, it seems a curtain has been pulled back on a secret society. They know the cold is coming. Banding together against predators, they forage widely in the fields before their food freezes, or vanishes under snow.

"But then, a drive deeper than feeding seizes them. By November both bucks and does, restless, verge on reckless. Trumping food and wariness, the primal urge to reproduce one’s self and one’s kind surges with the winds of the coming, killing cold."

This book would be most suitable for families with children, who perhaps are looking for something non-commercial but also not directly Bible-related for Advent reading times. [One possible note of caution: there are occasional references to mating which might or might not be appropriate for some families.] It could be useful for homeschoolers, or for those who need a set of readings for less-usual, out-of-church situations. It is a good reminder that the animals are (still, thankfully) all around us. Their stories are a (sidelong) glimpse of the way God creates and sustains them--and us.

Statement of disclosure: I received a complimentary e-copy of this book for purposes of review, but I was not otherwise compensated for this review. All opinions are my own.

Book Review: The Ecumenism of Beauty

The Ecumenism of Beauty. Edited by Timothy Verdon (Paraclete Press / Mount Tabor Books / ISBN 978-1-61261-924-8 / 128 pages/ full-color illustrations / Hardcover / $28.99) [Published May 1, 2017]

www.paracletepress.com
Paraclete Press, Mount Tabor Books: Brewster, MA, and Barga, Italy

"The last fifty years have seen a rediscovery of the role of the visual arts in the lives of all Christians. In tune with this ecumenical age, this book shares the belief that beauty and art can bridge differences." (from the publisher's description)

At the risk of just doing a cut-and-paste book review, I want to share the vision behind this book:

Other contributors to this book include Orthodox, Anglican, and Protestant artists, scholars, and clergy who will participate in a two-part symposium, The Arts and Ecumenism—What Theology Risks in Artistic Creation. Part one will take place in May of 2017 in Paris, Strasbourg and Florence. Presentations will discuss Catholic and Protestant approaches to art through history, theology and liturgical contexts...The US portion of the symposium will take place in October, 2017, in New Haven, CT, at the Yale Institute of Sacred Music on the topic of Sacred Arts in North American Context, and in Orleans, MA with academic presentations, musical performance and an art exhibit on the theme: The Word in Color, Action, Music and Form.

It sounds like some big and important things are going on this year! The Ecumenism of Beauty is a sort of preview of what will be shared at these events, including photographs of the works of art that will be discussed. After reading the book of Clyde Kilby's essays earlier this year, I was really looking forward to reading how some of those ideas might be playing out in the meeting point between today's church and today's art.

Unfortunately, I can't give this book all the stars I would have liked to. If I have to nail down one reason, it's my probably unfair position as a Protestant trying to pass judgment on a book written by and published by Roman Catholics, in an area (visual art, particularly liturgical art) that is not something I am very knowledgeable about. As an under-educated but interested observer, the discussion didn't seem all that...ecumenical...to me. I've been part of a variety of churches, some more liturgical than others; so I'm not very opinionated on highly-decorated or less-decorated worship spaces. However, I found the overall tone of the essays somewhat dismissive of those who prefer to worship without what they see as visual distractions. Perhaps the authors felt those Christians would not have much to say on the subject of liturgical art, particularly in churches--which is, for the most part, the "beauty" referred to in the title.

I may come back to this book when I'm feeling less distracted myself. I did enjoy looking at the included art, though again some of it just puzzled me.

If liturgical and contemplative Christian art is something that excites you, you will probably want to get a copy of this book and also stay tuned in as the European and U.S. symposia take place.

Statement of disclosure: I was sent a free e-copy of this book by the publisher for purposes of review. Opinions given here are my own.

The Arts and the Christian Imagination (Book Review)

The Arts and the Christian Imagination Essays on Art, Literature and Aesthetics, by Clyde S. Kilby, edited by William Dyrness and Keith Call (Paraclete Press / Mount Tabor Books / ISBN 978-1-61261-861-6 / 256 pages  / Hardcover / $28.99)

Our homeschooling community views education in the context of lifelong learning, and as part of the classical and liberal arts tradition. We recognize the value of each person as one who has been created in God's image, and who therefore shares in some of God's attributes such as the ability to imagine and create, and to form a relationship with the things that have been created. Our  curriculum includes more than normal amounts of poetry, drama, music, and art, the things that many schools would treat as frills or extras; but to us they are so vital, in the literal sense of vital meaning life-giving, that we have started referring to them as "The Riches."

Another phrase we use is "spreading the feast," as opposed to shoving things down people's throats, but which acknowledges that as human beings we do have "affinities" or natural, God-given attractions for truth and beauty. In fact, we are so out of touch with current beliefs as to insist that truth and beauty not only do exist, but that teaching them to children, and seeking after them as adults, is part of what we are called to do as Christians.

A writer and academic who agreed with that idea was Dr. Clyde S. Kilby, a longtime professor at Wheaton College, and author of The Arts and the Christian Imagination, a new collection of his writings from about fifty years ago. His essay "Christian Imagination" is also included in the older edition of Leland Ryken's collection The Christian Imagination, and appropriately enough it follows there right after C.S. Lewis's essay "Christianity and Culture." The subheadings include "The Bible: A Work of the Imagination"; "God, the Imaginer"; "The Failure of Imagination in Evangelical Christianity"; and "Learning to Live Imaginatively," and these are typical of the things he discusses throughout his work.

At one point Dr. Kilby refers to Lewis's description of a child on Easter morning who was heard to say "Chocolate eggs and Jesus risen," and he says "In our desperate evangelical desire for a clear, logical depiction of Jesus risen we have tended to remove the chocolate eggs...There is a simplicity which diminishes and a simplicity which enlarges...The first is that of the cliché-simplicity with mind and heart removed. The other is that of art...The first silently denies the multiplicity and grandeur of creation, salvation and indeed all things. The second symbolizes and celebrates them...[it] suggests the creative and sovereign God of the universe with whom there are no impossibilities."

So part of the problem of Christians making sense of the arts, besides needing more chocolate eggs, is that we may try to stick to what we call real, in the "life is real and life is earnest" sense, and forget that God's creation is full of amazement and grandeur, and although it may be fallen, it still reflects the power and beauty of its Creator. We have a feast laid out for us in Creation, and in the beautiful things that people have created in art, in music, in literature, things that are just as real as our everyday world of work, and that can give us a clearer picture of the love and holiness and power of the Father who inspired them.

The only complaint I have about the book is the almost unavoidable problem of repetition through the various essays and talks. Like any teacher, Dr. Kilby had favourite illustrations and examples which he re-used over the years, and reading the whole book in a short time might make you feel that you've been through a particular point several times already. On the other hand, exploring the collection of talks as a whole is a good way to get a sense of his most vital themes.

Well recommended for those wanting to dig deeper on the question of faith and the arts.

I received a free digital copy of this book from the publisher for purposes of review, but received no other compensation. All opinions (as much as humanly possible!) are my own.

Eyes Open in Advent (Book Review of All Creation Waits)

All Creation Waits: The Advent Mystery of New Beginnings by Gayle Boss (Paraclete / ISBN 978-1-61261-785-5 / 112 pages / Paperback / $17.99)
www.paracletepress.com

"Every single creature is full of God and is a book about God. Every creature is a word of God. If I spend enough time with the tiniest creature, even a caterpillar, I would never have to prepare a sermon. So full of God is every creature." ~~ Meister Eckhart, quoted as a preface to All Creation Waits

In his review of All Creation Waits, writer Brian Doyle refers to it as a "sidelong" book, which I take to mean indirect, something like a parable. In twenty-five short readings, accompanied with woodcut illustrations, Gayle Boss takes you on an early-winter walk around Lake Michigan, with stop-offs to visit skunks, foxes, porcupines, and other local inhabitants. What are they doing at this time of year? As "all creation waits" for the Advent of the Saviour, animal activities are lyrically described, but without much added-on interpretation. This is not a book of prayers or Scriptures; the animals are not analogies; they do not think of much beyond shelter and food, and they have no imagined sense that Christmas is coming. It reminds me more of Prayers from the Ark, or some of the Christmas readings that take the viewpoint of the cow and the spider; or the muskrat scene at the beginning of The Long Winter.

A sample from the chapter "Whitetail Deer":

"Gliding through the woods in groups of two, three, or four, their coats the color of brush and bark render them nearly invisible to us. So when, in October, we see herds of them out in the open, it seems a curtain has been pulled back on a secret society. They know the cold is coming. Banding together against predators, they forage widely in the fields before their food freezes, or vanishes under snow.

"But then, a drive deeper than feeding seizes them. By November both bucks and does, restless, verge on reckless. Trumping food and wariness, the primal urge to reproduce one’s self and one’s kind surges with the winds of the coming, killing cold."

This book would be most suitable for families with children, who perhaps are looking for something non-commercial but also not directly Bible-related for Advent reading times. [One possible note of caution: there are occasional references to mating which might or might not be appropriate for some families.] It could be useful for homeschoolers, or for those who need a set of readings for less-usual, out-of-church situations. It is a good reminder that the animals are (still, thankfully) all around us. Their stories are a (sidelong) glimpse of the way God creates and sustains them--and us.

Statement of disclosure: I received a complimentary e-copy of this book for purposes of review, but I was not otherwise compensated for this review. All opinions are my own.

The Christmas Stick (book review)

The Christmas Stick, by Tim J. Myers.  Illustrated by Necdet Yilmaz.  Published by Paraclete Press, November 2014.

What bad things could one say about a well-illustrated picture book that promotes low-tech, natural playthings for somewhat spoiled princes (and princesses)? Not many.

The prince (he's nameless) receives a lot of toys one Christmas that move by themselves, don't offer much scope for the imagination, and end up broken before too long. His grandmother, on the other hand, gives him a long stick, which (as you can guess) becomes his favourite plaything. In an interesting twist at the end, the prince finds a way to pass the gift on, having learned the intended lesson. Or maybe it wasn't a lesson. Maybe his grandmother just wanted him to have fun.

Taken on its own terms, The Christmas Stick is a cute story, and yes, it does have a message of simplicity (though nothing specifically about the Christian meaning of Christmas). But is it the princes (and princesses) themselves who need this message, or their parents and other lavish gift-givers? The fact that the prince never gets a name, for instance, creates a certain distance, makes him a bit less real; and the thought that the story might just be propaganda for fewer toys (and more wrapped-up sticks) might not go over well with some kids. The difficulty is not that we don't remember and acknowledge instances in our own lives when simple playthings won out; it's just that slightly defensive feeling that we, the parents, are getting a sermon here on the appeal of long sticks.

But maybe it wasn't intended that way.  Maybe the author just wanted us to have fun too. And in that case, I'd give this enough Christmas stars to pass it on to some little ones I know.

Please note that families who do not allow talk of wizards etc. will find a few references in this book offensive.

I was sent a complimentary copy of this book from the publishers, for review purposes, but  received no other compensation.