Showing posts with label teaching writing. Show all posts
Showing posts with label teaching writing. Show all posts

Tuesday, July 02, 2019

The Intentional thrifter: not so commonplace

I took a big bagful of stuff to the thrift store, but I also picked up three books and a top.

I think this wrap top is an awesome find. It's mostly lyocell, which is a nice-feeling fabric (and biodegradable). It's one of my favourite shades of purple. It has dolman sleeves, which don't show up so well here. It's even reversible.
Frontwards, which leaves the back sort of open and looks more like you've turned it backwards.
Backwards, with the bottom knotted.  Unknotted leaves it hanging a bit open, but that would be okay over a tank top.
Books to pack and read at the new place: Wendell Berry's The Art of the Commonplace, Mortimer J. Adler's The Great Ideas, and A Novelist's Commonplace Book, which is more of a mini-dictionary of writing terms, as defined by Michael Crawley.

Monday, August 20, 2018

From the archives: Old habits and diehards

First posted August 2015. Edited slightly.

I like it when good things turn up in strange places.

The final Brother Cadfael novel centers around his making a very hard decision. For complicated reasons, he chooses to go AWOL so that he can help someone he cares about. He knows that if he does this, he may never be allowed back in the monastery. The identity he has shaped for years can be torn away by a quick decision. At an earlier point in his life, remaining in the cloister would have meant everything to him, might have been the right choice; but now an act of love is more important than hanging on to position and approval. In the end (spoiler), all is resolved and he is, happily, welcomed back. But even if he hadn't been, we get the impression that it would have been okay either way. He was who he was, whether he had his hair tonsured and wore a habit, or not.

I've been working through William Zinsser's Writing to Learn, and last night I got to his chapter "Man, Woman and Child," about writing in the social sciences. All through the book Zinsser includes examples of good writing in each academic area; but in this chapter, he tells about how his own interest in anthropology began. In the 1950's, he was working as a journalist and was required to attend Broadway performances as part of his job. (What a hard-knock life.) One night he saw a performance by some Balinese dancers, and he was so fascinated that he decided to take his next vacation in Bali. This is what he found:

"...I made my way up into the hills to the village of Pliatan. The musicians and dancers who had conquered Broadway had long since come home and were back at their everyday jobs in the rice fields. That's how I found out that the Balinese have almost no concept of 'art.' What I had assumed was their art turned out to be organic to their life...Art, life and religion were intertwined. Children and chickens were everywhere...That was my first view of a unified culture, and I remember how resentful I felt that my own culture didn't have such an enviable wholeness."
 Zinsser says his point (as he sees it) is that we can't take any culture as just "quaint," and that writing about anthropology is serious business. Unfortunately, that leads in to a skippable "cultural" example about evil spirits, but we'll let that go; I'm more interested in his story about Bali.

That word "organic" has popped up more than once over the last couple of years, and not in a health-food sense; it means a wholeness of life, and (to put it in educational terms), a unity of knowledge and thought. I've said this before, but it's why homeschool "retirees" don't stop thinking about learning, whether we're surrounded by Balinese dancers, children and chickens, or by just keeping up with the laundry and our young-adult offspring. Brother Lawrence had the right idea--prayer functions in the midst of bustle and clatter...and also in the quiet times. Our lives are as real in the supermarket and in a chance to talk with the neighbours, as on the stage, in the monastery, or (for some of us) in or out of the schoolroom. None of it is perfect, but it is all what we are given to do.

Saturday, August 04, 2018

Quote for the day: When insight is the harder task

"There is nothing abstract, or even subtle, about what happens when the writer attempts to apply a prejudice where only an insight will do.

"Proceeding blindly toward his preconceived conclusions, he asks his character (whether real or imaginary) the wrong questions: compounding the error, he twists the answer to make it match what he would prefer to hear. His goal immutably fixed in his mind, he ignores clues that would lead him to the unacceptable truth.

"The stories the young writer produces in such ecstasies of self-assurance are as unpalatable as green persimmons."  ~~ Jon Franklin, Writing for Story

Thursday, March 08, 2018

From the archives: What Bubba and me think about homeskooling

First posted February 2008. At the time we had a first grader, a fifth grader, and a public-high-schooler who was still taking one course at home.

I try to stay away from most of the ignorant anti-homeschool articles and letturs-to-the-edditor out there; and heaven knows, there are lots of them, especially after any homeschooler gets into any trouble with the law or does some other antisocial thing. Occasionally I've posted my own rebuttals about homeschoolers/homeschooling not being so weird/scary.

But it's time to set things straight.

The question is, who's weird here?

First, you go ahead and define weird. OK...

"Synonyms: These adjectives refer to what is of a mysteriously strange, usually frightening nature. Weird may suggest the operation of supernatural influences, or merely the odd or unusual: "The person of the house gave a weird little laugh" (Charles Dickens). "There is a weird power in a spoken word" (Joseph Conrad). Something eerie inspires fear or uneasiness and implies a sinister influence: "At nightfall on the marshes, the thing was eerie and fantastic to behold" (Robert Louis Stevenson). Uncanny refers to what is unnatural and peculiarly unsettling: "The queer stumps ... had uncanny shapes, as of monstrous creatures" (John Galsworthy). Something unearthly seems so strange and unnatural as to come from or belong to another world: "He could hear the unearthly scream of some curlew piercing the din" (Henry Kingsley)." (Bolds are mine.)

You know what's really weird, is that a lot of people looking up those synonyms (if anybody did) probably wouldn't have read anything by Conrad or Dickens or Stevenson. Whereas some--not all, mind you--of our unearthly and unsettling homeschoolers will take those books as their common currency.

If you read, you tend to go looking for friends who read...or you like to read about people who like to read, like Father Tim in the Mitford books who hangs out at the bookstore, pondering Churchill's History of the English-Speaking Peoples and waiting for obscure books by John Buchan to arrive (also one of Mr. Fixit's favourite writers).

Not that Father Tim is a homeschooler. Just that he's weird in kind of the same way as some homeschoolers. (Not all homeschoolers are bookworms, just not all vegetarians eat nutritiously.
Some homeschoolers would rather be doing than reading.)

Weird is listening to little kids at the park talking about the sexy hot singers they're supposed to like.

And the rest of us just go on scaring people (unsettling them?), just by doing our thing. My six-year-old kind of blew some people away at church when she did a reading with her sister a couple of weeks ago. I don't think they've ever had somebody under seven lead the responsive reading before. But she would have done that even if she wasn't homeschooled. It's a famly thang.

Weird is standing behind mothers in line at teachers' night and hearing them talk about how they get up to commute at 5 or 6 in the morning, drop the little ones at daycare, get home at 5 or 6 at night, and still have to make dinner for everybody including the teenagers. [Oh--you want to know what I'm doing at teachers' night? If you've just climbed up here, our teenager takes most of her classes now at the public high school. Homeschooling-all-the-way isn't a doctrinal thing with us; figuring out what works best for our own kids takes priority over dogma.]

So here's my request: Stop writing those letters telling the powers-that-be to swing their blackjack a little harder at us. Stop writing the breathless articles that always have something in them somewhere about how deprived of real lives homeschooling moms are, or how we'll suddenly become incompetent once the kids get to algebra, or how we need to be sending our kids into the school system so that they'll absorb whatever version of socialization you think is best for my family. It's not like your deathless prose is going to give me the sudden revelation that I've totally messed up my kids' lives. (Although the collective blast of them might eventually make homeschooling more difficult or in some places illegal, depriving the world of some great independent thinkers and people who would have dropped through the cracks, educational and otherwise.)

Some of what's fantastic (unbelievable) to behold in homeschooling is truly fantastic (unbelievably great). Not everything about homeschooling is wonderful. Not every homeschooler is wonderful--kid or parent. What else would you expect?

But we're not all weird either. Some of us watch the Three Stooges. Some of us listen to KISS (as if that defines normal, but for some people it might). Some of us can even read, write, spell, and think through what the the world can offer to our kids--and what we can offer back.

And that's the trooth.

Monday, February 22, 2016

Quote for the day: don't write clerkly

"But in my fancy, the ambition and contention to write or to speak more clerkly than others, sheweth always a base envious mind, like a scholar full of his school points." ~~ Plutarch's Life of Nicias, translated by Thomas North

Friday, March 13, 2015

Some good blog stuff to pass on

A couple of blog posts you really shouldn't miss this week:

The Deputy Headmistress at The Common Room has started a series about the Charlotte Mason approach to composition. This is not just theory; the DHM has a whole lot of years of experience with this, both ups and downs.

The latest Seven Quick Takes post on Afterthoughts has a couple of good links to challenging articles. Plus a cute baby goat.

That's all for now! (Really, there's enough in there to keep anybody busy for awhile.)