Tuesday, April 19, 2005

Young Poets and Weasel Words

Two nice quotes from Northrop Frye:

As long as [a young poet] is writing primarily for himself, his thought will be rooted in private associations, images which are linked to ideas through his own hidden and unique memory. This is not his fault: he can write only what takes shape in his mind. It is his job to keep on writing and not get stuck at that point....Then he is likely to pass through a social, allegorical, or metaphysical phase, an awkward and painful phase for all concerned. Finally, a mysterious but unmistakable ring of authority begins to come into his writing, and simultaneously the texture simplifies, meaning and imagery become transparent, and the poetry becomes a pleasure instead of a duty to read.....Every once in awhile, we run across a poet who reminds us that when the lyrical impulse reaches maturity of expression, it is likely to be, as most lyrical poetry has always been, lilting in rhythm, pastoral in imagery, and uncomplicated in thought. –Northrop Frye, "Letters in Canada," 1953 (reviews collected in The Bush Garden)

He realizes that the enemy of poetry is not social evil but slipshod language, the weasel words that betray the free mind: he realizes that to create requires an objective serenity beyond all intruding moral worries about atomic bombs and race prejudice.–Northrop Frye, same, 1952 (speaking of Canadian poet Louis Dudek)

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