Showers of blessings (and more of Dollygirl's frugal hacks)

A Regal Pro bread machine from a yard sale: the same model we used to have, so we know how it works (and even have the manual, that the company kindly sent me last time).  I baked a loaf of Classic White in it this afternoon and we had it for dessert.  (Don't ask.)

A half-price fall floral arrangement from Michael's, for our front hall.  The kind that lasts forever.  I looked at those awhile back, but patience pays off...they were 40% off early last week, and I still hesitated, but by Friday's flyer they all went to 50%.  The one I picked is fairly small, but it goes well with the Tom Thomson painting over the hall cabinet.

Speaking of Canadian maples...I guess it is a blessing that the tree came down without any further damage, or the tree guys getting hurt.  Still, the stump looks kind of raw and lonely.  We are thinking of maybe putting a bird feeder on top of it.

The girls' friends, who (variously) like to ride bikes, take photos, and do homework with Dollygirl and Ponytails.

Ponytails' soon-to-arrive birthday.

Working on (thrifted) counted cross stitch kits.

A previously-ordered copy of The Heart of the Family arrived for me at the indie bookstore, and I had a bit of extra money put aside to pay for it..

The girls had optometrist checkups (kids' checkups are covered by the provincial health plan), and they don't need anything different (the anything differents are usually not covered).

Price-matching between some of the local stores...this has made my life easier (although maybe not the cashiers').

The funny bits in The Two Towers...'What is it?' growled Sam, misinterpreting the signs.  'What's the need to sniff?  The stink nearly knocks me down with my nose held.  You stink, and master [Frodo] stinks; the whole place stinks.'  'Yes, yes, and Sam stinks!' answered Gollum.  'Poor Smeagol smells it, but good Smeagol bears it.  Helps nice master...'

Some freebie-box finds from a support group meeting last night: a horse activity book for Dollygirl, a couple of teacher-books, and a set of Latin and Greek Rummy Roots card games.  I knew who owned the card games, and I did give her some cash for them because it didn't feel right just taking them for nothing.  But still, that was pretty neat.  Also I got to borrow Norms and Nobility from the homeschool library.

The ballet set that Dollygirl made for her Samantha doll this week...almost entirely out of odds and ends.  Really, she did an amazing job.  The tutu was made from strips of tulle knotted onto a ribbon sash; she has a choice of two tops (a camisole I had made before, and a striped stretchy top Dollygirl made from a sock); Dollygirl made felt-and-ribbon ballet slippers, legwarmers from the same sock, and a felt bag to hold dolly energy snacks and a towel.  Some of the other dolls joined Samantha in a recital of highlights from The Nutcracker.

Showers of blessings...yes.

Ordinary Children: Quick Review

Norms and Nobility took me quite a while to read...and even to re-read.  There is no way to jump ahead quickly in that book; each sentence needs to be considered carefully before you move on to the next.

Marva Collins' "Ordinary" Children, Extraordinary Teachers, on the other hand, took me from last night until this afternoon, in spite of the fact that it's 250 pages long.  Especially if you've read Marva Collins' Way, it's a very fast read.  Most of the book is made up of talks that Mrs. Collins gave over the years; and, like most speakers, she has favourite images, illustrations, and phrases that she repeats every time.  For that reason, the book should have been edited much more carefully.  I'm also not a fan of the Teacher-please-hear-me style of inspirational poetry that makes up the last section of the book.  A tiny bit of that goes a long way.  (To get even more nitpicky, I was also surprised by her use of "alright," not to mention three or four "Judas Priests.")

Best reasons to read the book?  The detailed notes for several works of literature, from The Little Engine That Could to The Song of Roland.  While Mrs. Collins' deliberate emphasis on phonics and her teacher-questions-students-answer style are not identical to Charlotte Mason's methods (and/or may not be exactly how we work as homeschoolers), there is still much that we can draw on.  She does not write in the formal academic style of David Hicks, but she touches on many of the same points, such as the importance of asking normative questions.

If you liked Marva Collins' Way and want additional insight into her methods, this will add a bit more.  Not a lot more, but a bit...an interesting bit.

Some things Mama Squirrel did today

Finished rereading Norms and Nobility.  I had read it a long time ago, but didn't have access to a copy for a long time.

Baked a giant pan of banana bread, mostly to freeze for school lunches and quick breakfasts.

Washed three loads of laundry.

Cooked one pan of spaghetti sauce with lots of green, red and yellow peppers.  Plus spaghetti.

Finished today's school plan with Crayons/Dollygirl, including French, Great Expectations, Leonard Bernstein's "What does music mean?", and some Math Pet Store.  Mr. Fixit handled a science lesson on inclined planes, while he was home during lunch hour.  His version of the lesson had something to do with the picnic table, a doll, a ball, and a stuffed monkey.

Wrote several emails and cleaned out a bunch more.

Conversation over the day's happenings with Ponytails.

More anticipated ditto with The Apprentice when she gets home this evening.

I think that's it.

First few days of school...musings

I am still re-reading Norms and Nobility, and thinking how much it reminds me of Marva Collins' Way (actually, they were both first published around the same time),  and how much it also reminds me of the Free Commot people in the Chronicles of Prydain, and thinking about how what we do in homeschool does or doesn't support that bigger picture.

And please don't think that because I'm in my sixteenth year of doing this, that I'm any more certain or perfectly consistent about those aims, and their application, than any newbie.  How many narrations?  How many experiments?  Are workbooks occasionally a good choice? What do I say, or not say, trying not to interfere but still trying to bring out the important ideas? What books, and what if the kid(s) start off the year already complaining that they don't like them?  There's so much I don't know myself.  Last year when I was reading Marva Collins, I went and read Candide and Emerson's "Self-Reliance" because I didn't want to have read that much less than her elementary students.  Should I admit also that I've never read Plato's Meno (as David Hicks recommends for ninth graders) or a lot of other things I should have read along the way?  We may be keeping our homeschooled kids free from particular educational follies, but does that mean we're immune from creating our own?

(I'm supposed to have answers to those questions?  Sometimes you just have to plunge ahead anyway.)

Quote for the day: whose psyche?

"....modern criticism is obliged to distinguish between the universal myth (or archetype) of almost all art and literature created before the nineteenth century and the personal symbolism of most modern creativity.  Curiously, this signal fact is assumed by the modern teacher to render three thousand years of art and literature inaccessible to the student.  Instead, students are encouraged to kick around in the private symbolic universes of Yeats, Joyce, and D.H. Lawrence.  Can anyone wonder why psychological survival seems so much more difficult in the modern era?"--David V. Hicks, Norms and Nobility

Analyze that

"In our eagerness to solve the material deficiencies of the old civilization, we imported into our schools a method as humble as the English sparrow--simple analysis--but now, the immensity of our success threatens with Toynbeean predictability to overwhelm us.  Like the thinker whose brilliance we universally acclaim, Alfred North Whitehead, we have cultivated a perverse form of modesty and self-deception that, in the absence of dogma (the working yet scientifically undemonstrable hypotheses of the old civilization), has allowed us to forget who we are and what our purposes are, as well as to neglect to teach these lessons to our children."--David V. Hicks, Norms and Nobility (1981)

"Now you must remember, whenever you have to do with him, that Analysis, like fire, is a very good servant, but a very bad master. For, having got his freedom only of late years or so, he is, like young men when they come suddenly to be their own masters, apt to be conceited, and to fancy that he knows everything, when really he knows nothing, and can never know anything, but only knows about things, which is a very different matter. Indeed, nowadays he pretends that he can teach his old grandmother, Madam How, not only how to suck eggs, but to make eggs into the bargain; while the good old lady just laughs at him kindly, and lets him run on, because she knows he will grow wiser in time, and learn humility by his mistakes and failures, as I hope you will from yours."--Charles Kingsley, Madam How and Lady Why (1869)

A Month with Charlotte Mason, #26

So we were talking about the timeless aspects of what we currently call a Charlotte Mason education, but which has a history pre-dating Charlotte Mason herself. Can we get hold of the soul or spirit of this kind of education so that we can discern where to stay faithful to what CM wrote, and use what she used, and where we re-invent?

In one of Cindy's latest study posts on Norms and Nobility, she writes:

"The rest of Chapter 3, Part II may well be the heart of the chapter, the point being that we are not raising (teaching) children, we are raising adults. This is where the transformational power of ideas comes in. If we change our thinking in this one small area, we completely change our educational philosophy."

And maybe that's it.

Because when I started thinking through this post, I came up with a few basic CM ideas like these: training in the habit of observation, the habit of attention, the habit of books; emphasizing the value of the natural world (not worshipping it, but as the creation of the Heavenly Father); expecting that children can and should do small jobs perfectly and then work up, emphasizing quality over quantity. And the emphasis on facts not being presented "without their informing ideas."

I also thought about the PNEU programmes' structure, listing books and subjects rather broadly and generally, rather than trying to make sure that every hero and every concept are accounted for and categorized. There is an avoidance of time-wasting activities that no self-respecting child would choose to do without coercion and that do not advance the child's knowledge or abilities. And on the teacher's part, there is an avoidance of too much patronizing explanation.

Which brings us back to what Cindy said. We are raising young people, and while they definitely need time in their lives to be children, without being rushed, pressured, and burdened with knowledge they're not ready for (NOTE: non-family-friendly news content in that link), they also need the opportunity to grow, to be provided with mind-food according to their needs and appetites as human beings. I like seeing the little bitty plants and seeds go into the garden in spring, but I'm expecting that by the end of the summer, barring disaster and rabbits, we'll have tomatoes and beans.

In one sense we may see an afternoon's nature outing as a chance to let children to be children, to relax a bit but get moving at the same time; to drop the need for 'tween attitudes at least long enough to get interested in a newt or a garter snake; to have fun playing in the way children used to play before coaches and computers started telling them the next move. And as Charlotte Mason says, there are places in children's play where adults may not intrude. But at the same time, by giving our children that opportunity to see, to be curious, to compare and record, to tell back, to paint robins and violets with real art materials, to show us their discoveries; by giving them some space and time to play; and by not giving them a worksheet to be filled out on each detail of their afternoon, then we are treating them more as adults, as our equals in intelligence, as partners in discovery, as sharers in this journey.

A Month with Charlotte Mason, #14

"For people who want to do the "living books" thing that Susan Macaulay has popularized, here is the kindergarten program all worked out for them.""--Dr. Ruth Beechick, review of a preschool-K curriculum

I use some of Ruth Beechick's books in our homeschool, and she has many good, practical ideas, especially (perhaps ironically) in using real books to teach language skills. However, I also think this comment is typical of the general misunderstanding around Charlotte Mason and "living books" in particular. In both fiction and non-fiction, the term “living books” has been overused, abused and confused, to the point that almost any chapter book set in some other era is now considered quality historical fiction...and, in the review above, "classic" picture books also suddenly join the list. Some people may take offense at that, and please understand that I am not discouraging the reading of picture books in general--only saying that these were not "living books" in the way that Charlotte Mason used the word.

If we’re going to be faithful to Charlotte Mason’s literary standards, we need to understand that she wasn’t exaggerating when she talked about little children playing Robinson Crusoe, or a schoolboy spending his whole Easter break reading Southey’s poems. It wasn’t so strange that Anne of Green Gables and her friends chose to act out "The Lily Maid" in 1908. Authors like Scott, Pyle, Kipling, Bunyan, Defoe, Kingsley, even George Eliot, were just considered The Books That There Were. They were the standards of the time, and children in "literate" households grew up familiar with Those Books, along with the Bible. If you look at the books Charlotte Mason refers to in the second half of Ourselves, which is meant to be read by older high school students, there are casual references to George Eliot's novels and other books that most of us are lucky even to get around to reading in college. For her students, they were common currency.

Now there must have been hundreds or thousands of books published over the last century, and most of us have gotten much worse at reading and at making time for reading. We’re hesitant, like Joyce McGechan, to put this kind of meal in front of our children because we’re not even sure we’d want to eat it ourselves. We’re in an era where, in a lesson plan for fourth graders, it’s expected that you should define words like “average” and “develop” before reading a book to them—and the lesson plan I found that in is for a picture book.

So I’m very aware in saying this, that the verbal and cultural gap between CM’s students and ours can seem insurmountable. But the fact is that there’s very little being published now, especially for children, that has both the literary power and the idea power of the books from the earlier eras, so we will often find ourselves turning back to them, not exclusively, but as a solid foundation.

Remember this from the third post? "Despising children is not doing the good that we should do in loving them or teaching them, because we undervalue their intelligence, their value as persons, their capacity for good, or even their capacity for bad."

And why are we using these hard books again? Is it because children develop character by chewing on gristle?

"Let us imagine an author at his craft, say, Herman Melville while writing Moby Dick, or Jane Austen working on Pride and Prejudice. Now assuredly what these literary artists hoped above all else was that a century or two from their own time students in high schools would be using their great works not better to understand love or honor or revenge or nobility or happiness, but to “analyze how multiple themes or central ideas in a text interact, build on, and, in some cases, conflict with one another”; as well as to “analyze the impact of the author’s choices regarding how to develop and relate elements of a story or drama (e.g., where a story is set, how the action is ordered, how the characters are introduced and developed).""--Terrence Moore, "Dressing up Standards, Dumbing Down Schools," quoted by the Deputy Headmistress

Children, if they’re exposed to rich language from an early age, even if we find ourselves stumbling through some of the books, will get it, and will want more. Remember the little girl at Bending the Twigs who threw a sentence about Cerberus into her grammar lesson?

A leisurely education means having the freedom (time, space, opportunity) to discover what makes us fully human.

Repost from 2008: Kings and heroes, brave, good, and otherwise

I originally posted this in the summer of 2008, when I was planning Crayons' grade 2 year. I thought it was worth going back to along with our Month with Charlotte Mason.

My own second-grade Social Studies, in the experimental '70's, was called Environmental Studies, a word none of us had ever heard and which, I don't think, was ever fully explained. It took us forever to copy that off the blackboard and on to the covers of the new notebooks we were handed. I don't remember a lot about it, either, except for a trip to the sugar bush and some kind of a neighbourhood field trip where we walked around the block and pointed out various kids' apartment buildings. I think the baby chicks we hatched and any other science we did may have been lumped in there as well. For sure, though, it didn't include history.

Can second-graders do more than go to the sugar bush? Would we have "gotten" history in the second grade? No, not in the same way ten-to-twelve-year-olds do, or in the same way teenagers or adults do. Most seven-year-olds don't totally get maps, or dates. They don't get abstract ideas, cause and effect, or political things. But they do like stories, characters, heroes, villains. They do remember what happened and who did what, if not always why. It's the same in geography...I remember The Apprentice's map of the Mississippi, that started somewhere in Alaska. But she had the right idea at least.

So we read the stories of kings and heroes, the brave and good, and the otherwise. Some of the stories may be what Josephine Tey calls Tonypandy; some may be disputed or offer currently unpopular viewpoints. Did King Alfred burn the biscuits?--probably not. Does it matter? Are we teaching untruths or trivialities? Would it make more sense just to wait until they're older and more discriminating?

No, because we are teaching more than facts and dates. We are teaching "norms and nobility," to quote David V. Hicks. "How to live," to quote Charlotte Mason. We are giving them heroes--feet of clay though they may have--to "people" their imaginations. And we are building a foundation for later history teaching--again to quote CM, an understanding that we are not the only people, and our time is not the only time; that people long ago may have known less about technology, may have had attitudes about churches and kings that we don't share, but that they weren't any less intelligent or less human.

Does it matter that we don't start right at the beginning of time, or that some of the history we do is out of sequence? (Bible stories are history too, but we don't confine them to an "ancient history" year! And then there are biographies that come up out of chronological order, and dates connected with artists and writers and the Guinness Book of World Records...) No, not at this age; all "long ago" tends to be a bit hazy anyway when you're still figuring out the difference between a hundred and a thousand; it's after that that children can start making better sense of timelines and other more sequential tools.

Crayons' Grade Two: Social Studies

My own second-grade Social Studies, in the experimental '70's, was called Environmental Studies, a word none of us had ever heard and which, I don't think, was ever fully explained. It took us forever to copy that off the blackboard and on to the covers of the new notebooks we were handed. I don't remember a lot about it, either, except for a trip to the sugar bush and some kind of a neighbourhood field trip where we walked around the block and pointed out various kids' apartment buildings. I think the baby chicks we hatched and any other science we did may have been lumped in there as well. For sure, though, it didn't include history.

Can second-graders do more than go to the sugar bush? Would we have "gotten" history in the second grade? No, not in the same way ten-to-twelve-year-olds do, or in the same way teenagers or adults do. Most seven-year-olds don't totally get maps, or dates. They don't get abstract ideas, cause and effect, or political things. But they do like stories, characters, heroes, villains. They do remember what happened and who did what, if not always why. It's the same in geography...I remember The Apprentice's map of the Mississippi, that started somewhere in Alaska. But she had the right idea at least.

So we read the stories of kings and heroes, the brave and good, and the otherwise. Some of the stories may be what Josephine Tey calls Tonypandy; some may be disputed or offer currently unpopular viewpoints. Did King Alfred burn the biscuits?--probably not. Does it matter? Are we teaching untruths or trivialities? Would it make more sense just to wait until they're older and more discriminating?

No, because we are teaching more than facts and dates. We are teaching "norms and nobility," to quote David V. Hicks. "How to live," to quote Charlotte Mason. We are giving them heroes--feet of clay though they may have--to "people" their imaginations. And we are building a foundation for later history teaching--again to quote CM, an understanding that we are not the only people, and our time is not the only time; that people long ago may have known less about technology, may have had attitudes about churches and kings that we don't share, but that they weren't any less intelligent or less human.

Does it matter that we don't start right at the beginning of time, or that some of the history we do is out of sequence? (Bible stories are history too, but we don't confine them to an "ancient history" year! And then there are biographies that come up out of chronological order, and dates connected with artists and writers and the Guinness Book of World Records...) No, not at this age; all "long ago" tends to be a bit hazy anyway when you're still figuring out the difference between a hundred and a thousand; it's after that that children can start making better sense of timelines and other more sequential tools.

Sense of space and place is also a bit vague still at this age, as I remember well myself from when we once drove through Washington, Ontario (a tiny little place) and I asked my father when we'd left Canada. My Squirrelings have also shown confusion (as do some Jeopardy contestants) over the concept of living in Canada, living in British Columbia, and living in Vancouver, for example. How can you live in all those places at once? But we have to begin somewhere--so we start picking out the Great Lakes (especially Lake Huron, a familiar place), Hudson Bay, the oceans. This year's work will include the Rocky Mountains, the Far North, and why it took Marco Polo so long to get from Venice to China.

And as I mentioned before, we are going to put extra emphasis this year on holidays, feast days, and special times of year; I'm including those things with social studies too. I picked up Festivals, Family and Food at a thrift shop and plan to use some parts of it; there are some parts of the book that are more...Waldorfish?...than I really want to encourage...the festivals are Christian, but some of the ways of celebrating them don't add much to our faith (e.g. the rituals of corn dollies (the fertility ones, not the Thanksgiving-decoration ones) at harvest time). Also the recipes are all British ingredients and measurements--good ideas but too hard for us to use here. But I do like some of the songs and activities, and the overall idea of following the seasons.

Related Posts:
Crayons' Grade Two: Outline
Crayons' Grade Two: Bible
Crayons' Grade Two: Science and Nature
Crayons' Grade Two: French
Crayons' Grade Two: Math
Crayons' Grade Two: Language Arts
Crayons' Grade Two: Literature & Teatime Reading
As Little As Possible
Grade Two: The Very Last First Time?