Showing posts with label Frozen. Show all posts
Showing posts with label Frozen. Show all posts
Monday, March 02, 2015
Thursday, July 03, 2014
Using School Books, Part Two...this wasn't what we were expecting?
Part One is here.
I just finished re-watching Disney's Frozen with Dollygirl. If you haven't heard and seen it multiple times by now, one of the supporting characters is a snowman named Olaf, who "hasn't had much experience with heat" but who sings a song about all the things he's looking forward to in summer. At the end of the song, one of the watching humans mutters, "I'm going to tell him," and the other replies, "Don't you dare." It is a cheerful song, but of course it has implications of the snowman's expected eventual end, and of the increasing perils of the human characters as well.
And on the next page of School Education, chapter 16, we have a quotation from writer Thomas de Quincey, something about his early memories of hearing Bible stories and thinking of hot weather and Palm Sunday. Charlotte Mason, perhaps because she thought we would already know it or perhaps because it wasn't part of her point, has given it to us without much context. But the rest of the story is readily available in De Quincey's Autographic Sketches. He is remembering the sudden death of his sister, when they were both children. He is told that she has died, and creeps into her room, wanting to see her once more, but the bed has been moved and all he can see is an open window: "through which the sun of midsummer, at midday, was showering down torrents of splendor. The weather was dry, the sky was cloudless, the blue depths seemed the express types of infinity; and it was not possible for eye to behold, or for heart to conceive, any symbols more pathetic of life and the glory of life."
He then explains why, then and afterwards, he made such personal connections between summer and sunshine, mortality and death, and this is the quotation about early Bible impressions that CM includes, that through the "younger nurse's" comments on the Bible stories, the impression he had gotten of Palestine, and Jerusalem in particular, was that it seemed to be a place of everlasting summer, but a summer particularly connected with death (because of the death of Christ). He seemed to think of death before resurrection, saying, "There [in Jerusalem] it was, indeed, that the human had risen on wings from the grave; but, for that reason, there also it was that the divine had been swallowed up by the abyss; the lesser star could not rise before the greater should submit to eclipse. Summer, therefore, had connected itself with death, not merely as a mode of antagonism, but also as a phenomenon brought into intricate relations with death by scriptural scenery and events." (italics mine)
Now obviously De Quincey was a more than usually perceptive and sensitive child. But what is Charlotte Mason's point in including this story, which in its briefer form implies there is some value in reading the Bible to young children, but which, put in context, gives us a possibility of an even deeper sense of life (and perhaps death) given through those early impressions, and the gift of that understanding when death became real? Clearly this is one of those places where, "if only we were wise," we would draw back from tampering or commenting on the stories as much as we often do; and at the same time, she seems to imply that we dare not deny our children the opportunity to hear them, and to know them deeply.
Olaf the snowman enjoys his dreams of summer, but he also recognizes his own fragility (he keeps breaking apart and getting put back together), and he sees the mortality of the humans around him--he tries to keep Princess Anna from freezing, and tells her that "some people are worth melting for." Can we learn as much from a Disney supermovie as we can from Genesis? No, although it might be worth thinking about the fact that such stories may be the only source of discussion material that some children have. But we have the opportunity to give our children something much, much richer and more mysterious--a sense of eternity that must be given, as for little Thomas De Quincey, with reverence, and without much explanation and comment.
But who shall parcel out
His intellect by geometric rules, Split like a province into round and square? Who knows the individual hour in which His habits were first sown even as a seed? Who that shall point as with a wand, and say 'This portion of the river of my mind Came from yon fountain'? (William Wordsworth, Prelude II 243–249)
To be continued in Part Three.
And on the next page of School Education, chapter 16, we have a quotation from writer Thomas de Quincey, something about his early memories of hearing Bible stories and thinking of hot weather and Palm Sunday. Charlotte Mason, perhaps because she thought we would already know it or perhaps because it wasn't part of her point, has given it to us without much context. But the rest of the story is readily available in De Quincey's Autographic Sketches. He is remembering the sudden death of his sister, when they were both children. He is told that she has died, and creeps into her room, wanting to see her once more, but the bed has been moved and all he can see is an open window: "through which the sun of midsummer, at midday, was showering down torrents of splendor. The weather was dry, the sky was cloudless, the blue depths seemed the express types of infinity; and it was not possible for eye to behold, or for heart to conceive, any symbols more pathetic of life and the glory of life."
He then explains why, then and afterwards, he made such personal connections between summer and sunshine, mortality and death, and this is the quotation about early Bible impressions that CM includes, that through the "younger nurse's" comments on the Bible stories, the impression he had gotten of Palestine, and Jerusalem in particular, was that it seemed to be a place of everlasting summer, but a summer particularly connected with death (because of the death of Christ). He seemed to think of death before resurrection, saying, "There [in Jerusalem] it was, indeed, that the human had risen on wings from the grave; but, for that reason, there also it was that the divine had been swallowed up by the abyss; the lesser star could not rise before the greater should submit to eclipse. Summer, therefore, had connected itself with death, not merely as a mode of antagonism, but also as a phenomenon brought into intricate relations with death by scriptural scenery and events." (italics mine)
Now obviously De Quincey was a more than usually perceptive and sensitive child. But what is Charlotte Mason's point in including this story, which in its briefer form implies there is some value in reading the Bible to young children, but which, put in context, gives us a possibility of an even deeper sense of life (and perhaps death) given through those early impressions, and the gift of that understanding when death became real? Clearly this is one of those places where, "if only we were wise," we would draw back from tampering or commenting on the stories as much as we often do; and at the same time, she seems to imply that we dare not deny our children the opportunity to hear them, and to know them deeply.
Olaf the snowman enjoys his dreams of summer, but he also recognizes his own fragility (he keeps breaking apart and getting put back together), and he sees the mortality of the humans around him--he tries to keep Princess Anna from freezing, and tells her that "some people are worth melting for." Can we learn as much from a Disney supermovie as we can from Genesis? No, although it might be worth thinking about the fact that such stories may be the only source of discussion material that some children have. But we have the opportunity to give our children something much, much richer and more mysterious--a sense of eternity that must be given, as for little Thomas De Quincey, with reverence, and without much explanation and comment.
But who shall parcel out
To be continued in Part Three.
Friday, January 03, 2014
Some things we did over the holidays
1. The Squirrelings came up with some creative and appreciated (and unique!) Christmas presents, including a framed photograph of our lilac bush from Ponytails, a pair of earrings made by Dollygirl but commissioned and given to Mama Squirrel by Mr. Fixit, and a copy of The Apprentice's class "coffee table book"--each science student contributed one chapter.
2. The chocolate-orange Christmas cake turned out all right, in spite of the bottom layer's threatening to collapse. We just put extra glaze on it to kind of glue it together, and extra fruit on top. Mama Squirrel was quite a lot worried that the cake might collapse into a pile of chocolate and oranges by dinner time, but it held up and nobody laughed too much.
3. We've been watching the first season of The Bionic Woman, the original series. Dollygirl got the DVDs for Christmas.
4. We spent a Saturday morning together downtown, checking out thrift stores and eating snacks at the "hemp cafe."
5. We clipped branches and toted part of Yet Another Backyard Tree (this has not been a good year for Backyard Trees) to a safe place across the road, after the Very Large Ice Storm.
6. We watched a famous person muff the words to "Auld Lang Syne" at midnight on New Year's Eve.
7. Four of us went to see Frozen, on New Year's Day.
7b. Funniest thing besides the movie: two kids sitting beside me. The cinema manager came in to say they had sold out the theatre and would everybody please move closer to the center to free up extra seats. Little girl: "What did he mean, they just sold the theater?" Same little girl, several times during the movie, "I love this part. I love this part." (How many times had she seen it already?) Same little girl: "This part is scary. Give me some more Smarties."
8. We just about got Frozen getting back to the car. It's gotten very, very cold. So cold the salt on the roads won't melt the ice.
How was your holiday?
2. The chocolate-orange Christmas cake turned out all right, in spite of the bottom layer's threatening to collapse. We just put extra glaze on it to kind of glue it together, and extra fruit on top. Mama Squirrel was quite a lot worried that the cake might collapse into a pile of chocolate and oranges by dinner time, but it held up and nobody laughed too much.
3. We've been watching the first season of The Bionic Woman, the original series. Dollygirl got the DVDs for Christmas.
4. We spent a Saturday morning together downtown, checking out thrift stores and eating snacks at the "hemp cafe."
5. We clipped branches and toted part of Yet Another Backyard Tree (this has not been a good year for Backyard Trees) to a safe place across the road, after the Very Large Ice Storm.
6. We watched a famous person muff the words to "Auld Lang Syne" at midnight on New Year's Eve.
7. Four of us went to see Frozen, on New Year's Day.
7b. Funniest thing besides the movie: two kids sitting beside me. The cinema manager came in to say they had sold out the theatre and would everybody please move closer to the center to free up extra seats. Little girl: "What did he mean, they just sold the theater?" Same little girl, several times during the movie, "I love this part. I love this part." (How many times had she seen it already?) Same little girl: "This part is scary. Give me some more Smarties."
8. We just about got Frozen getting back to the car. It's gotten very, very cold. So cold the salt on the roads won't melt the ice.
How was your holiday?
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